Ermanno Scervino

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Men’s collection Fall-Winter 2014-2015
Prowling the runway is an elegant and damned seducer out of a film noir.
Cloaks and overcoats thrown over the shoulders envelop the Ermanno
Scervino Man, disclosing new geometrical proposals that meld the rigour of
impeccably tailored creations with the eccentricity of a man who thinks outside
the box. As the designer himself puts it:
“The Ermanno Scervino man doesn’t follow fashion, he studies it. He knows
how to appreciate the story of hands and ideas that every garment narrates, a
culture that makes him a trendsetter without undue formality or extravagance.”
The motifs of the male wardrobe are reinterpreted, proposing a style that
showcases new geometries combined with each other in a harmonious whole.
Micro and macro all-over chequered patterns sketch out the silhouettes of
overcoats, jackets, blazers, slim-fit pants, scarves and ties.
Houndstooth, contrast stripes, Prince of Wales, herringbone and bird’s eye
patterns on wool and boiled wool fabrics and on felted knit fabrics worked
unlined or two-tone bonded, also adorning maxi sweaters in alpaca and mohair.
The volumes of the outerwear are oversize, with the down jacket concealed
beneath the parka in wool cloth, which becomes technical when bonded with
fleece or comes out into the open embellished with fur.
For the evening, suits are introduced in unusual velvet combinations and
chalk-stripes in felted knit.
The accessories follow the motifs of the collection. Footwear features the
high-laced Derby with heavy-duty sole.
Colours paint out night shades: black, greys, midnight blue, at times lit up by
hints of optical white, plaster, sky and cornflower blue.

Collezione Uomo Autunno Inverno 2014-2015
Come in un film noir, sfila un seduttore elegante e dannato.
Mantelle e cappotti appoggiati sulle spalle avvolgono l’Uomo Ermanno
Scervino scoprendo nuove prospettive geometriche, tra il rigore di impeccabili
creazioni sartoriali e l’eccentricità di chi non segue gli schemi. Sottolinea lo
“L’Uomo Ermanno Scervino non segue la moda, la studia. Sa riconoscere la
storia di idee e mani che ogni capo racconta, una cultura che lo rende
trendsetter senza eccessivi formalismi e stravaganze”.
I motivi del guardaroba maschile sono reintepretati, proponendo uno stile fatto
di nuove geometrie, combinate tra loro in armonico insieme.
Micro e macro damier all over scandiscono così le silhouette di cappotti,
giacche, blazer, pantaloni slim, foulard e cravatte.
Pied de poul, righe a contrasto, motivi Galles, resca e occhio di pernice
disegnano grafismi sul panno di lana, sulla lana cotta e sui tessuti in maglia
stoffa infeltrita, lavorata sfoderata o a