Winnie Harlow And Lewis Hamilton Looked Great On The Red Carpet Together…!

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Show Tickets Are Available Now Through The Graduate Fashion Week Website (Just paste this link into your browser..) http://www.graduatefashionweek.com/tickets/

Here Are Some Of Last Year’s Wonderful Collections:-

BATH SPA

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BRIGHTON

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EDINBURGH

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MANCHESTER FASHION INSTITUTE

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MANCHESTER SCHOOL OF ART

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INTERNATIONAL

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LIVERPOOL

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KINGSTON

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NORTHBROOK UNIVERSITY

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NOTTINGHAM TRENT

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UNIVERSITY OF CENTRAL LANCASHIRE

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UNIVERSITY OF EAST LONDON

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UNIVERSITY OF NORTHAMPTON

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SALFORD UNIVERSITY

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EPSOM

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GALA SHOW WINNERS

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INTERNATIONAL AWARDS

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BIRMINGHAM CITY UNIVERSITY

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NORWICH UNIVERSITY OF ARTS

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The exquisite bags and backpacks will be available in emerald, black, gold, silver, and red colours and also in wine, navy and coffee with milky tones.

The Valentin Yudashkin shoes will be presented in black, blue, and silver metallic suede, plus also in black textured iridescent leather.

VALENTIN YUDASHKIN INTRODUCES AW 17 AD CAMPAIGN

The Valentin Yudashkin Fall/Winter 2017-2018 collection uses moderate shades of graphite, noble grey, black, bronze and aged silver as the main colours. The preference in this collection is given to wool, leather, organza, sequin fabric, woollen patterns, tulle, perforated velvet and high-tech fabrics with spray paint all of which are used both separately and in combinations. This elegant eclecticism creates delicate, feminine, and sensual but strong images.

The evening looks are comprised of voluptuous long dresses made form silk tulle and tulle with spray paint, lace, organza and sequin fabric that are complemented by drapes, bouffant waves and exquisite embroidery. The latter, it has to be said, reserves a special place within the new collection. Valentin Yudashkin turns to Byzantian art by using ancient ornaments and patterns, aged gold and bronze coloured stone, bead and spangle embroidery. Apart from that some of the pieces are graced with gold thread embroidery, woollen threads and metal braid.

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Day 1 Highlights 

Day 2 Highlights

Day 3 Highlights

Day 4 Highlights

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DIOR CRUISE 2018 COLLECTION

Thus appears to me in the Lascaux frieze, Mother fantastically disguised, Wisdom, with eyes full of tears. René Char

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The discovery of the Lascaux cave, in 1940, had a profound influence on the artists of the time. For Georges Bataille, it represented the dawn of the human race. The power with which animals are depicted (deer, horses, oxen) takes us back to the infancy of mankind and its relationship to nature, as well as the invention of art.

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In 1951, Christian Dior appropriated these rock paintings, making a print from them for his Ovale line, a form with allusions to primitive female depictions such as the Willendorf Venus. It is this wild and ancient femininity, linked to the magic of the earth, that guided Maria Grazia Chiuri, Artistic Director of the Dior women’s collections, throughout the creation of her first cruise collection for the House. Thus a feminine representation takes shape, bringing into the present this shamanic intuition, this wild, almost bestial spirit of which Clarissa Pinkola Estés writes in one of the designer’s favorite books: Women Who Run with the Wolves.

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Maria Grazia Chiuri is constantly seeking new ways to embrace and explore the Dior heritage. And it is the prehistoric wolves which emerge from the Lascaux cave to take their place on extraordinary silk jacquards where the ocher, almost gold in color, contrasts with blacks. Female handprints, reinterpretations of the original forms, become magnificent sequined embroideries in earthy shades. Maria Grazia Chiuri has appropriated the savoir-faire of the Dior ateliers, reinventing it to tell her story in ideal forms. A story that alters proportions and lengths to correspond to the contemporary landscape, in which sport mixes with haute couture, where tradition becomes ornamental abstraction and where materials see their status changed.

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The celebration of instinct leads her to female figures who have chosen to isolate themselves in the desert to better understand the deepest and darkest recesses of the self. Such is the image of an artist like Georgia O’Keeffe, emerging from the sands of New Mexico. A hieratic figure occupied with collecting carcasses. This is what Vicki Noble writes in Shakti Woman: Feeling Our Fire, Healing Our World: “I want to know myself from my sacred center, and in that space I want to know and touch others.”

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Tarots, in high-octane hues, were given a feminist reinvention as Motherpeace, a co-creation by Karen Vogel and Vicki Noble, to which Maria Grazia Chiuri gave a pop interpretation in order to inject a fresh newness into Monsieur Dior’s beloved art of divination. The idea that a person’s smell is the expression of their soul can be found in the feminine take on an emblematic perfume such as Eau Sauvage. The intangible imprint of this wild, erratic figure restores woman once again to her place at the center of the world.

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“LA MODERNITE DE L’ANTIQUITE” [THE MODERNITY OF ANTIQUITY]

Karl Lagerfeld looked to the origin of culture for the latest CHANEL Cruise collection, which was presented in the Galerie Courbe upstairs in the Grand Palais on May 3rd.

KARL LAGERFELD INTERVIEW

CHANEL CRUISE 2018 – THE SHOW

CHANEL CRUISE 2018 – RUNWAY & DETAIL

CHANEL CRUISE 2018 – BACKSTAGE

CHANEL CRUISE 2018 –  V.I.P. ATTENDEES

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 CHANEL CRUISE 2018 – THE STORY OF THE SHOW

CHANEL CRUISE 2018 – INSTAGRAM CELEBRITIES

CHANEL 2018 CRUISE COLLECTION
“LA MODERNITE DE L’ANTIQUITE” [THE MODERNITY OF ANTIQUITY]

Greek Antiquity, the cradle of culture, beauty and modernity, is at the heart of the designer’s inspiration: “The criteria of beauty in ancient, then classical, Greece still hold true. There have never been more beautiful representations of women. Or more beautiful columns. The entire Renaissance, in fact, was based on Antiquity.”

Supple draping and elegant, fluid lines shape a silhouette in tweed and jersey, silk and linen, lace and crepe. Raw fringe mingles with precious embroidery, column-heeled gladiators elevate the traditional Greek sandal, and Olympic laurels become head ornaments while sautoirs, bracelets and golden cuffs adorn the neck and arms. Amphorae transform into small or large pleated leather backpacks. Minaudières and clutches are crafted in meticulously draped leather or bronzed exotic skins. CHANEL’s GABRIELLE bag mixes leather with knitted owl or antique vase motifs, or appears in marbled leather.

In rewriting the codes of Antiquity, Karl Lagerfeld offers an idealized vision of Greece: “Reality is of no interest to me. I use what I like. My Greece is an idea,” he says. Greek sleeves with draped or gathered shoulders structure lines and find a counterpoint in marked or belted waists. Sun pleats are inspired by fluted columns, while knitwear motifs echo those found on antique vases or the friezes of ancient frescoes. The designer homes in on details, such as buttons engraved with owls, the mythological symbol of wisdom; or prints with laurel crowns, oak leaves with hidden camellias or laurel branches arched into elegant double-Cs. These symbols, along with the wheat stalks Gabrielle Chanel favored, also embellish the coins adorning an elegant little evening bag.

With this collection, Karl Lagerfeld composes a true travelogue through time and space. Dazzling white and vivid Cycladic blue cascade over suit dresses and A-line jackets in woven tweed, illuminating an iconic suit with curvaceous, amphora-like hips.
Antiquity meets modern fashion mythology in draped jersey tops, long skirts, and wide, fluid sun-pleated trousers and jumpsuits in black, white and beige or terracotta and gold. Fringed, unlined pale or ocher tweed is fashioned into ample crossover coats and zipped shepherdess dresses belted with a gold-ringed cord. The simplicity of linen dresses is elevated with embroideries of multi-colored stones. The realm of mythology is ever-present: Greek goddesses appear in dresses literally sculpted, in immaculate crepe, their marked waists embroidered entirely in sequins that emulate marble.
Nymphs, too, emerge in jersey or mousseline dresses worn under long tunics printed with crowns of golden leaves. Elsewhere are dresses embroidered with spirals, a symbol of movement, life and energy that lends balance to Spartan-inspired tops and skirts.

A longtime admirer of Antiquity, Karl Lagerfeld transcends its codes, demonstrating the timelessness, spirit and allure of CHANEL. Presented at the Grand Palais, this collection was welcomed with resounding applause by the CHANEL Ambassadors Keira Knightley, Anna Mouglalis, Caroline de Maigret, Ellie Bamber and Clotilde Hesme, the young American actress Yara Shahidi, the French actresses Isabelle Huppert and Marine Vacth, the Chinese actress Liu Shi Shi, as well as the directors Pedro Almodóvar and Deniz Gamze Ergüven.

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GUCCI PRE – SS 17 COLLECTION, WESTMINSTER ABBEY, LONDON

- IT WAS A TRULY STAR-STUDDED AFFAIR AT THE SPECTACULAR GUCCI PRE – SS 17 SHOW AT WESTMINSTER ABBEY RECENTLY. CHECK OUT ALL OF THE EXCITEMENT FROM THE SHOW, ARRIVALS & PARTERRE V.I.P.’S BELOW…!

GUCCI PRE SS 17 COLLECTION – PARTERRE

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GUCCI PRE SS 17 COLLECTION – V.I.P. ARRIVALS

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V.I.P. ATTENDEES AT THE WONDERFUL GUCCI PRE SS 17 SHOW INCLUDED FRANCOIS HENRI-PINAULT & SALMA HAYEK, VALERIA GOLINO, MARCO BIZZARI, (GUCCI CEO), SOKO, HIKARI YOKOYAMA, ELLE FANNING, MARTINA MONDADORI, MARIE ANGE CASTA, CHARLOTTE CASIRAGHI, TATIANA CASIRAGHI, FLO MORRISSEY, ASAP ROCKY, ALEXA CHUNG, JAY JOPLING, WILL.I.AM, BEL POWLEY, NICOLAS WINDING REFN, LIV CORFIXEN, ROLA, GEORGIA MAY JAGGER, JEFFERSON HACK, CARINE ROITFELD, ANGELA CHEUNG, CHRIS LEE, KONG HYO JIN, RILA FUKUSHIMA, FLO MORRISSEY, AMINA MUADDI, TINA LEUNG, ELLA PURNELL, KONG HYO-JIN, & ELLA PURNELL, AMONGST MANY OTHERS….!

ALESSANDRO MICHELE DECLARED HIS LOVE FOR ALL THINGS BRITISH WITH THE SPECTACULAR GUCCI PRE SS 17 COLLECTION

GUCCI RUNWAY SS 17 COLLECTION

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GUCCI PRE SS 17 COLLECTION – DETAIL

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MISHA

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V.I.P.’S

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TOME

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MACGRAW

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Toni Maticevski

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